Online festival

This Saturday, March 20th, our first online label festival takes places. Excited, nervous and of course delighted to be able to present you a beautiful sample card of what our label represents while uniting some extraordinatry artists and fully in the spirit of our DIY modus operandi. Gratitude to the Flemish government for supporting the rollout of this event.
We do realize this is absolutely not the same than witnessing a live concert in your favorite pub or jazz club but nothing else is possible right now so why don’t give your Saturday evening a different destination for once.

We go online, if all goes well with the streaming facilities, this Saturday March 20th at 8pm (Europe mainland) and 7pm (UK).

Gina Southgate

Published already back in November last year but still relevant of course to share with you today. Here’s Taran Singh talking to the wonderful GINA SOUTHGATE, painter/performer and lifetime partner of label affliate ALAN WILKINSON. Gina is especially renowned for her beautiful live concert paintings. Enjoy this lovely interview.

Musique Concrête

Belgian percussionist and drummer Chris Joris wrote a short but intriguing review on DIRK SERRIES’ Solo Acoustic Guitar Improvisations I’ for the recent edition of Jazz & Mo. The album is of course available through our store or bandcamp.

“In 1948 riep de Franse geluidsingenieur en radioproducer Pierre Schaeffer de term musique concrête in het leven. Aanvankelijk ging het om composities uit opnamen van niet-electronische, werkelijke klanken, niet gerelateerd aan een muziekinstrument. Later werd het onterecht synoniem voor elektronische muziek. Naast zovelen in dit concept laat gitarist Dirk Serries echter zijn instrument manueel spreken in abstracte spanningen en klanken, zoals een Alechinsky dat op doek doet. Dit dekt de term ‘concrete muziek’ dus geenzins, maar er kan wel naar verwezen worden. Dit album kwam uit op vinyl op eigen label’ Chris Joris/Jazz & Mo – Belgium

Mixcloud

In case you missed the premiere of the label’s radioshow on Kool Kast, you can now listen to this first journal at your own convenience on Mixcloud.



Playlist JOURNAL March 2021

1. TONUS – Texture One
from ‘Texture Point’ (2019)
2. DANIEL THOMPSON – Improvisation Two
from ‘Finch’ (2020)
3. COLIN WEBSTER & ANDREW LISLE – Discoed
from ‘New Invention’ (2020)
4. BENEDICT TAYLOR & ANTON MOBIN – Love Song
from ‘Close½Quarters’ (2019)
5. CHRISTOPH SCHILLER & ANOUCK GENTHON – Die Stille
from ‘Zeitweise Leichter Schneefall’ (2019)
6. ARVIND GANGA & RICCARDO MAROGNA – The limp leaves waited for rain, while the black clouds gathered far distant, over Himavant
from ‘Ballads From A Wrecked Ship’ (2021)
7. ANTOINE BEUGER – Now Is The Moment To Learn Hope (excerpt)
from ‘Now Is The Moment To Learn Hope’ (2019)

Jazzword reviews

Canadian Ken Waxman wrote down some lovely words on two of our recent releases. Just published on Jazzword.

RUSSELL/KEUNE/VANDERSTRAETEN – ON SUNDAY (CD)
“A standout session of uncompromising improvisations by three experts in the field, this Brussels concert has inexplicably waited 10 years before being on disc. On Sunday offers two masterful performances by British guitarist John Russell (1954-2021), German alto saxophonist Stefan Keune and Belgian percussionist Kris Vanderstraeten. Russell who played with the likes of Evan Parker, Keune, who recorded with innovators such as Steve Noble, also played as a duo since 2000, while lesser-known veteran Vanderstraeten worked with Martina Verhoeven among many others. On Sunday reflects that slight separation. Contributing the odd Mylar slap, cymbal shakes and wooden pops, the percussionist stays very much in the background, sporadically accenting the expositions, as Russell and Keune offer up string rubs and slurred fingering melded with reed squeals, squeaks and split tones. Distinctively constructing a strategy from below-the- bridge string scrapes, the guitarist expresses his part in dual counterpoint with the saxophonist’s extended techniques encompassing aviary trills, doits, flattement and sound detours. While the mouse-like peeps and unforced finger picking evolve in a relaxed fashion with circular sound affirmation that concludes first track, a penultimate sequence of tongue slaps and percussive string strums confirm the sonic steel that underlies this deadpan improvising. Much lengthier, “On Sunday 2” evolves speedily from barely there string scrubs and insect-like reed squeaks as the exposition becomes quicker and louder. Keune’s altissimo split tones are matched with Russell’s ferocious strums and Vanderstraeten rim clatters. Before intensifying still further during the set’s last third, the guitarist’s single string clanks suggest a separate complementary melody backed by maracas-like shakes and conga drum-like slaps from the percussionist. An emphasis on abstract multiphonics from all three confirms Free Music acumen. Yet at the same time concentrated paradiddles and rolls from the percussionist, slashing fingering from the guitarists and patterning squeaks affirm the trio’s creative bonding. It may have taken a decade to appear, but On Sunday still adds luster to each player’s career, especially the under-recorded Vanderstraeten. Sadly it’s now also a memorial to Russell’s imaginative skills.”

COLIN WEBSTER & ANDREW LISLE – NEW INVENTION (CD)
““Webster, who has also recorded with Dirk Serries and Lisle who plays with Alex Ward are part of other groups together. But this stripped-down duo gives them more freedom to stretch musically and they do so over seven tracks. Surprisingly, one “Kuggar” is as muted as the other are clamorous with single tones vibrating from within the saxophone’s body tube and these echoes affiliated with drum top spills. Otherwise the improvisations are ferocious with Lisle working his way through pops, claps and pats as Webster’s strategies vary from razzing reed buzzes to eviscerated note and tones. His vibrating snarls approach New Thing energy and often are pushed with spreading nephritic vigor. Staccato bites from the saxophone are often met with frenetic ruffs and paradiddles from the drummer. Besides breaking up his rhythmic thrust, Lisle emphasizes different parts of his kit, so before tuning shrill, the exposition of “Knill” is introduced by what sound like tambourine bumps. Everything comes to a head on “Yardro”, the longest track, as a renal mid-range introduction from Webster moves higher until it reaches altissimo power and is doubled by positioned smacks from Lisle. Tellingly, before the two reconvene their dialogue, there’s an a capella reed section where Webster seems to be spearing timbres from the horn’s innards. Followed by a set of doubled rebounds from the drummer, the reed coda wraps together nasal snarls and whinnying extensions. If unbridled, stripped down sonic exploration is your cup of tea or glass of wine – depending on your nationalist perspective – then you’ll be able to quench your thirst with this disc”

A New Radioshow

If nobody else does it, we’ll do it better. The modus operandi of KOOL KAST (one of the originators is French experimentalist and free improviser ANTON MOBIN), an alternative radiostation in France, that decides to draw upon their own strength and expertise and broadcast the music they produce and want to promote. We proudly join this alliance to spread the word. Affliliated partner and excellent label RAW TONK RECORDS already joined them. Now we’re bringing a bi-monthly journal of our label. Tonight KOOL KAST is airing the first episode at 9pm (UTC), replay is set for tomorrow morning at 11amp (UTC), later on we’ll upload our shows to mixcloud and add a seperate page to this new radioshow on our website. Listen tonight here.

A NEW WAVE OF JAZZ journal March 2021

1. TONUS – Texture One
from ‘Texture Point’ (2019)

2. DANIEL THOMPSON – Improvisation Two
from ‘Finch’ (2020)

3. COLIN WEBSTER & ANDREW LISLE – Discoed
from ‘New Invention’ (2020)

4. BENEDICT TAYLOR & ANTON MOBIN – Love Song
from ‘Close½Quarters’ (2019)

5. CHRISTOPH SCHILLER & ANOUCK GENTHON – Die Stille
from ‘Zeitweise Leichter Schneefall’ (2019)

6. ARVIND GANGA & RICCARDO MAROGNA – The limp leaves waited for rain, while the black clouds gathered far distant, over Himavant
from ‘Ballads From A Wrecked Ship’ (2021)

7. ANTOINE BEUGER – Now Is The Moment To Learn Hope (excerpt)
from ‘Now Is The Moment To Learn Hope’ (2019)

Bandcamp Friday

It’s bandcamp Friday once again. Bandcamp is waiving their revenue share to support artists in need due to the covid19 crisis. If you want to put your shoulders under our DIY principle, jump over to our bandcamp site and choose one or more from our catalogue. THANK YOU.

Benedict Taylor & Dirk Serries

To promote their debut duo album ‘PUNCTURE CYCLE’ viola player BENEDICT TAYLOR & guitarist DIRK SERRIES did a small 2019 tour in the Lowlands. On the tone-setting CONFRONT RECORDINGS label, curated by Mark Wastell, ‘LIVE OFFERINGS 2019′ features 3 performances from this tour, finding them in concert at Koffie & Ambacht in Rotterdam (NL), artgallery De Werkplaats in Amersfoort and at Guy Peters’ living room (Geraardbergen, Belgium). Beautifully mastered at the Sunny Side Inc. studio. Artist photo by Jan Kees Helms at De Werkplaats. Go here to buy this digital live document.

KODIAN TRIO

KODIAN TRIO in full fury at the BRAK festival (Hundred Years Gallery, London) last year, right before we all went into a lockdown. The trio’s only performance. This album is out on OEM Records, go here to order your copy.

Portamento tonight

Tonight on PORTAMENTO we highlight a fantastic and epic work of Rutger Zuydervelt. ‘Stay Tuned’ is a composition he created out of contributions from more than 150 musicians. A very impressive work, Stay Tuned’ is presented as a multiple-speaker installation, as a live performance piece, here you can hear the stereo version. And he’s creating another one, this time with drummers and percussionists (featuring some of our favorite ones like Kris Vanderstraeten, Tom Malmendier and Andrew Lisle). ‘With Drums’ you can pre-order here. Rutger is also known for our lovely designs and bringing the label’s vision to life !

Listen to PORTAMENTO tonight at 11pm (UTC) or stream it afterwards at your own convenience.